Stephen
Lo has more credits as a presenter than director and the
three movies he has directed haven't made a huge impact
on Hong Kong cinema. Neither will the formulaic romantic
comedy Bakery Amour but you should never judge a
movie beforehand, even if it seems like just another one
in a crowded genre. Though it was released on Valentine's
Day 2001, it made surprisingly little money at the box office.
Uncle Jet (Francis Ng from The Mission) leaves his
Hakka village for an apartment in the city. One day he finds,
stuffed away in the closet, 99 unopened letters that are addressed
to his neighbor Lok To (Michelle Reis from Healing Hearts).
The letters turn out to be from Lok To's boyfriend Gala, who
lives in France, who in his 100th letter broke up with Lok
To since he never received any replies (the previous tenant
stole the letters for stamps). Rather than just telling Lok
To about the letters the super nice Jet decides to try and
bring the two back together again. He approaches Lok To about
opening a bakery and since she has experience baking bread,
she accepts. It's a success and when Gala returns to Hong
Kong, he looks up the talked about bakery to reunite with
his girlfriend. Mission accomplished for Jet but during the
course of befriending Lok To, he has developed feelings for
her...

Bakery Amour's entire content is all executed according
to the romantic comedy-blueprint but now and then you get
a movie that doesn't try and reinvent the genre and just tell
a familiar story in a compelling way. I enjoy most of these
Hong Kong romantic comedies and while this one doesn't rival
the great An Autumn's Tale, it's still noticeable amongst
all the romantic comedies of late. It's a simple story about
a nice guy who falls in love with a girl and simplicity sometimes
works wonders for movies.
There are positive aspects but I'll start talking about some
of the bad ones. First the movie starts off rather shaky and
doesn't connect with the audiences like it wants to. It does
quickly introduce the plot surrounding the letters but the
overall flow is more jerky than anything else. There is more
comedy in the beginning which feels a little out of place
and forced but I did enjoy the shameless toilet humour. Uncle
Jet always dictates his plans into a tape recorder while on
the toilet and every time he flushes, something different
happens. As expected the flow is found when our main characters
get to know each other though. Surprisingly a plot device,
that one would expect to occur much later, is dealt with pretty
early on. That could've stopped the movie dead but Stephen
keeps us interested in the story almost all the way. It's
when he, for a section later in the film, tries to flesh out
the relationship with Gala (Conray Chan) and his new girlfriend
(Stephanie Che) that the movie becomes uninteresting and flat..
We do realize in these weaker moments what the strength of
this movie is; the developing bond between Jet and Lo Tok
as portrayed by Francis Ng and Michelle Reis.
Screenwriter Leung Chi San hasn't written two incredible
complex and multi layered character, which is a good thing..
We get sufficient background and more is not needed since
we're following their friendship, not a life's worth of experience.
Francis arc is the most compelling in combination with his
acting. He's an older man almost trapped in a younger boy's
body after an entire child- and manhood in a village and while
his dreams of being a detective seems naive, it's plausible
to him. You just have to have the right mindset and Uncle
Jet has that. Michelle's Lo Tok is less layered but, again,
what we know is enough for us to care and want to follow her.

Francis Ng is the veteran actor here and I don't think he
would've accepted the part if he didn't feel he could do something
with it. He just nails everything from Jet's subtle mannerisms
(like not looking anyone in the eyes) to his boyish charm.
You do think of Tom Hank's Forrest Gump as possible inspiration
for the acting and like him, Jet is not dumb, just slightly
eccentric. Michelle Reis is, as always, gorgeous looking but
I'm not sure if she has the range to pull off more complex
characters like this. That's not totally bad because she has,
like in Healing Hearts, good chemistry with
her the leading man and proves to be a true asset to this
story. In supporting parts we see Helena Law Lan (who also
acted with Francis in Bullets Over Summer) as Jet's
mother and Beast Cops's Stephanie Che.
Director Stephen Lo also deserve some credit for his work.
Directing a romantic comedy may seem like an easy ticket to
success but to tell a simple story like this must be equally
hard and challenging. This genre doesn't require a lot of
flashy style so here directing actors is a prime concern.
Francis and Michelle can't do it on their own and Stephen
has done well with churning out the performances out of these
two (and the rest of the cast). His work won't be remembered
through this but it seems like a step forward for him in the
directing department.
Director of photography Chan Chi-Ying (Just One Look)
makes sure this movie looks great but simple. The location
work around Hong Kong is very nicely captured and especially
the village scenes stand out. Music also plays a huge part
in creating the very pleasant tone in Bakery Amour.
Composer Leung Wai Kin scores many scenes with happy and joyful
melodies which will further bring a smile to your face after
seeing this.

Stephen Lo's movie isn't at all unique among all the romantic
Hong Kong comedies. It's a perfect movie for the moment but
you won't immediately forget about it after the end credits.
What I'm always going to remember about Bakery Amour
is the wonderful performance by Francis Ng and that is enough
for me to recommend this film.
The DVD:
Universe presents the movie in it's original
1.85:1 aspect ratio. It's a clean print but for a recent movie
it looks rather dull. It's way too bright and therefore detail
is only average. Kind of a step down for Universe.
The Cantonese Dolby Digital 5.1 track is also
too aggressive, especially in the surrounds. There's good
channel separation but dialogue especially was too loudly
mixed. A Mandarin 5.1 dub is also available.
The English subtitles did their job well but
there was still more grammar errors and strange sentence structures
than I would've liked. Traditional and simplified Chinese
subtitles are also included. Extras consist of very
bland talent files for actors Michelle Reis and Francis Ng
plus two trailers for Bakery Amour.
reviewed by Kenneth
Brorsson
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