Award
at the Hong Kong Film Awards 1997:
Best Film Editing (Peter Cheung & Cheung Ka-Fai)
Nominations at the Hong Kong Film Awards 1997:
Best Movie
Best Director (Benny Chan)
Best Actor (Lau Ching Wan)
Best Supporting Actor (Jordan Chan)
Best Supporting Actress (Teresa Lee)
Best Action Choreography (Ma Yuk-Sing)
Best Cinematography (Arthur Wong)
Best Original Film Score (Peter Kam)
A simple and thin plot? Yes, please. Some quite exciting and
intensive action set pieces? Always a plus! Lau Ching Wan
as a tough cop? Rarely goes wrong! Good first half but worse
second half of the movie? I'd rather not. The latter is a fact for this 90s actioner though.
Hard boiled cop Bill Zhu (Lau Ching Wan - Victim)
gets transferred to the Emergency Unit in the Hong Kong police
after an incident with his superior during a previous case.
Bill rarely does things according to the book and that attitude
creates conflicts within his new group. Meanwhile time is
running short to catch a ruthless gang of thieves who plan to smuggle
a huge amount of money out of Hong Kong...

Director
Benny Chan's most famous film before and still today remains A
Moment Of Romance but after that one things got kind of
quiet around him until Big Bullet came along. This
movie opened a lot of doors and he landed a co-directing job
on the Jackie Chan vehicle Who Am I? Jackie also produced
the entertaining Gen-X Cops which Benny directed alone.
He didn't show signs of the effective storyteller from A Moment Of Romance on Gen-X Cops but in the end made quite a fun and entertaining
film for the masses.
Big Bullet starts out a little talky but soon opens
up and becomes great Hong Kong action entertainment, even
though we initially have a more serious tone underneath it
all. It's not a movie with much depth in the content or within
the characters but who says we need that kind of film every time
action is involved? To be honest, I expected a lot more flashy
directing in terms of camera movement but Benny holds back
quite a lot and concentrates more on telling this simple story,
a fact that a viewer like me really appreciates. It's not
sophisticated storytelling but Benny has good flow in his
directing and introduces our main characters nicely without
disrupting the need to thrive forward.
A bit into the film, Anthony Wong and his henchmen makes their
entrance at a restaurant and this is the set up for the
absolute best action set piece in the film. After Anthony brutally murders
a woman we're into a high octane gun battle that even goes
out on the streets of Hong Kong where Lau Ching Wan and crew are doing their best to stop the bad guys. The action
choreography doesn't feel like the work of John Woo in the
execution but definitely in scale. Cars blow up, there's bloodshed
and the thieves surround themselves with some heavy duty weapons.
Composer Peter Kam (Purple Storm) builds up terrific tension before the action
bits but at other times the music feels a bit slick and hip
for the movie's own good. For the remainder, Peter's music
takes a step back which is good
at times when you don't want music to dominate the main intention of a scene.
The same can be said for the cinematography by Arthur Wong.
He uses colours like blue to enhance certain scenes and settings
but now when I look back I feel that his strongest work also
occurs during the above mentioned action scene. This leads us into the
main problem with Big Bullet. The tone changes
and the action scenes gets slightly worse as the movie goes
by.

The
technical aspects remain fine but the tone changes into a
very light and almost humerous one. For example, there is
quite a big amount of brutal violence during the first half
of the film but the meaning and the consequences of this are
barely touched upon subsequently, something that should've been done considering
that it was a serious movie once. The filmmakers had a good
thing going with the darker tone so I found it strange that
they almost abandoned it. The comedy within Lau Ching Wan's
police unit (mainly from Cheung Tat Ming) is at non-intrusive but the closer we get to the end
the more tiring and frankly silly it gets. All this could've
been forgiven or even forgotten if Benny and his action choreographer
would've blown us away in the final reel. Sadly all ideas
seemed to have run out by the time the two fights on the moving
plane begins. The ingredients for a bloody good action climax
was there but the editing and camera work is so all over the
place so you can barely follow the action. Disappointing.
A solid group of actors occupy the movie and
in the starring role we see the always charismatic Lau Ching
Wan. He elevates this movie through his screen presence and
charisma and turns what could've been a very cliché
ridden part into a very solid performance. In other actor's
hands it could've been boring but Lau Ching Wan is an actor
you want to watch even if it in the end turns out to be lesser
than good. Lau has after Big Bullet played
a cop more than once but never really the same part so to
speak. He has also shown a terrific comedic side through his
role in La Brassiere.
Jordan Chan is the best of the bunch here though and beforehand
I'd kind of put him in the bad actor's pile after seeing him
in thrash like Skyline Cruisers and Bio Zombie.
In the latter he did however show strength in the action moments
but fell totally flat in the comedic scenes. His face just
isn't suitable for comedy in my opinion. He got a well deserved
nomination for his performance in Big Bullet and from his first
scene he embodies everything the character of Jeff is. He's
disciplined and a by the books cop, which creates the contrast
and the conflict with Lau Ching Wan's character. Despite the
age difference, Jordan's character is never someone we look
down upon and that also goes for Jordan's performance itself.
He also brings an inner humanity to the role and we see that especially
when he encounter his brother who's a triad. That side story
is actually well done and Benny avoids the
sentimental side to it. This is by far the best I've seen Jordan
Chan do in a Hong Kong movie so far.

Teresa
Lee got herself a nomination but feels totally miscast
in her police role. In her first scene we see a kind of girlish
and childish nature to her character but I hoped she would
bring out her toughness in the action scenes. No such thing. She
is almost always spunky and that aspect is the worst during
the big climax of the movie. It's painful to watch her trying
to pull off some comedy which didn't need to be there in
the first place and how she got a best supporting actress
nomination is a mystery to me. No doubt a talented girl, just not this time.
The one dimensional bad guys primarily consists of Mr. Bunman
himself, Anthony Wong and it seems like he always strives
to have a certain odd trait to his psychopath characters.
In Mongkok Story he was a b-movie actor/triad and in Big Bullet he swears in Italian for
no reason whatsoever (although the subtitles always translates
his cursing to 'Damn'). Only Anthony can pull something cheesy
like this off and it's an entertaining but at times chilling
part he has here.
Finally in a supporting part we see So Good's favourite Francis
Ng as the ex-superior and closest friend of Bill Zhu. Francis
reminds me of Chow Yun-Fat because he always manages to steal
every scene he's in just by being there. If that's not screen
presence I don't know what is. He also gets to participate
in the big street shoot-out and even though he's not
in the movie after this, he utilizes his time well. He and Lau Ching Wan would later become a great double act
in Ringo Lam's Full Alert.

Big Bullet no doubt should be criticized for abandoning what could've turned into a serious and even mature piece of action cinema
but don't take my criticism too hard. Watch it yourself and
you'll see that this is still a very entertaining Hong Kong
action movie. One of the better ones of the late 90s as a matter of fact.
The DVD:
The Universe dvd presents the movie a
1.77:1 aspect ratio. Overall it's a decent effort but in
general the transfer looks too soft and a bit
over saturated at times. Dirt on the print appears now and
then but it's never distracting.
The Cantonese Dolby Digital 5.1 is very lively
and active in all speakers but isn't as powerful of an experience as you would think. A Mandarin 5.1 track
is also included.
The English subtitles are generally good with only a few amusing
spelling and grammar errors. Traditional and simplified Chinese
subtitles are also included.
The normal selection of Universe extras consists of Star Files's (in both English and Chinese) for actors Lau Ching Wan, Jordan
Chan, Teresa Lee, Cheung Tat Ming and director Benny Chan.
The theatrical trailer for this movie as well as Young
& Dangerous 3, Lifeline, Expect The Unexpected
and The Longest Nite are also on the disc.
reviewed by Kenneth
Brorsson
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