Nomination
at the Hong Kong Film Awards 1989:
Best Original Film Song: Daai cheung foo yat gei (Big
Husband's Diary)
Music, Lyrics & Performer: Chow Yun-Fat
The comedy
The Diary Of A Big Man is on paper interesting for
a number of reasons. Made in 1988, a year when Chow Yun-Fat
took part in no more than 9 movies (a downstep compared to
his 11 roles in 1987). It also offers a rare chance to hear
Chow Yun-Fat sing and it did earn him a Best Original Film
Song nomination at the HKFA the following year. Directing
is Chor Yuen, a name more widely familiar in 2003 thanks to
Celstial/IVL's Shaw Brothers dvd releases. Chor Yuen was very
active as a director for Shaw's and left behind him movies
such as Killer Clans, Magic Blade and Death
Duel (which was also actor, later turned director, Derek
Yee's debut as a leading man). As the era of Shaw Brother's
filmmaking winded down in the 80s Chor Yuen divided his time
between directing and acting. The role fans will probably
remember him most for is the villainpart in Jackie Chan's
Police Story. The Diary Of A Big Man Chor did
during the later stages of his directing career (he made his
first film in 1957!) and it proved to be a success at the
box office, taking in over 19 million Hong Kong dollars.
Ah Fat
(Chow Yun-Fat) encounters two women (Joey Wong and Sally Yeh)
on the same night and decides to pursue an romantic interest
in both. When ready to propose he makes a mistake and in the
end marries them both instead of choosing one. He is now living
a double life with lies and deception that is about to crumble
when the girls find out the truth...

The Diary Of A Big Man doesn't resemble anything Chor
Yuen made at Shaw Brother's but it posesses a certain charm
that makes it a worthy entry among his directing credits.
The opening scene is actually, for this kind of film, well
contructed. In a simple way director Chor Yuen gets the main
trio of characters in the same spot which then leads to the
start of the main plot. Pacing is pretty fast after this and
when I say pretty fast I mean REALLY fast! The opening credits
sequence is a montage showing Ah Fat's dilemma that is then
intercut with him talking to the camera about his life and
the troubles within it ('nicely' framed in a square with bold
colours around it). The director seems to be telling 90 minutes
worth of plot in 12 minutes but in fact it doesn't hurt the
movie as much as it sounds. Screenwriters Philip Cheng along
with Ng Man Fai really only has one joke to play around and
sadly all its potential is depleted after about half the movie.
The skit structure involving the same subject and people does
become entertaining in the end. Mostly because Chor Yuen maintains
a great sense of energy in the comedy and adding Chow Yun-Fat
on top of that. The character of Ah Fat is creative in coming
up with new lies and it's fun to see how all this backfires
on him all the time.
Chor Yuen is truly blessed to have Chow in this movie because
without his energy the, not very imaginative, comedy would've
been flat and uninteresting. A perfect example of that is
the only high-energy comedy bit without Chow. Here the slapstick
is indeed flat and only comes off as talky rather than funny.
Chow Yun-Fat enters a scene later and the movie is back in
a safer territory. When talking about Hong Kong comedies it
could be worth pointing which kind of humour a particular
movie employs. You have the more word based Cantonese humour
that Stephen Chow is famous for but The Diary Of A Big
Man uses universal farce-like comedy. That means more
visual humour and if it's in the words it comes through in
the translation.
So going back to the good and bad. Our first half is kept
together with enough variation of the same joke but logic
says that Ah Fat is going to lose control of the situation.
It is when his very helpful friend Chi Hung (Waise Lee from
Bullet In The Head) no longer can keep track of Ah
Fat's lies that also the audience gets lost. The joke have
become worn and even if the women now take over the plot that
energy previously seen is not as evident. The ending is then
way too drawn out and the movie doesn't seem to know which
way to go.
The acting is on par for a comedy movie and Chow Yun-Fat
is on top form here.. He was never competing for the comedy
throne but he can carry one. There's rarely lack of charisma
in a Chow Yun-Fat performance but with this humour timing
is such a crucial thing. Fear not, Chow rises to the task
and watching Ah Fat's ordeals is enough to get the viewers
blood preassure up to a dangerous point. Not that we sympathize
with him (he's pretty mean to Waise Lee's character) but seeing
how he is about to get caught so many times makes for decent
excitement actually. Sally Yeh and Joey Wong first gets pretty
thankless roles as the unknowing victims of the deception.
They're eye-candy for the viewing audience but they're rarely
given a chance to do anything but be the victims. Then later
in the story they turn the tables on Ah Fat and distances
themselves from the stereotypical helpless female in a Hong
Kong movie (or a Wong Jing movie even). Waise Lee displays
surprisingly good comedic timing in a few scenes plus we see
Kent Cheng and Carrie Ng in supporting roles.

The question is whether the hardcore fan would like to see
their favourite actor clown around like he does in Chor Yuen's
The Diary Of A Big Man. I personally thought it was
a welcome chance to see ever expandable range of Chow Yun-Fat.
Even though the movie does feature a better first half I must
say I had a good time. Very nice!
The DVD:
The 1.85:1 transfer by Universe passes on
most levels. Colour and sharpness look very much ok for this
older production and print damage is kept to only a small
degree. Widescreen-tv owners will notice the lower matte changing
positions between shots on occasion.
The Cantonese Dolby Digital 5.1 mix remains
true to its mono roots for the majority of the running time.
Music tend to drown out dialogue when used more intensely
but other than that it sounds perfectly fine. A Mandarin 5.1
dub is also on the disc.
The English subtitles features a fair amount
of errors and grammar inaccuracies but is overall a passable
translation. Japanese, Bahasa Indonesian, Korean, French,
traditional Chinese and simplified Chinese subtitles are also
included.
Extras come in the form of reasonably informative
Star's Files for Chow Yun-Fat, Sally Yeh and Joey Wong plus
there's trailers for The Diary Of A Big Man, The
Greatest Love, Spiritual Love, Scared Stiff
and A Hearty Response.
reviewed by Kenneth
Brorsson
BACK TO TOP
© 2002 - 2008 So Good... - Hong Kong DVD
Movie Reviews
|