Award
at the Hong Kong Film Awards 2000:
Best Director (Johnnie To)
Nominations at the Hong Kong Film Awards 2000:
Best Picture
Best Supporting Actor (Lam Suet)
Best Action Choreography (Cheng Ka Sang)
Best Film Editing (Chan Chi Wai)
Best Original Film Score (Chung Chi Wing)
Awards at the Taiwan Golden Horse Awards 2000:
Best Director (Johnnie To)
Best Actor (Francis Ng)
I was
aware of the triad- and action theme of The Mission
but what I wasn't aware of was the execution of it.
The
Mission
centers around a mission (funnily enough) where 5 especially
choosen bodyguards must protect triadboss Lung (Eddy Ko from
Lethal Weapon 4) from attempts on his life. It's becomes
clear though that a traitor is in Lung's organization...

Director Johnnie To made the terrific Running Out Of Time
the same year and here again he's at his creative best even
if this is a genre that has been done to death. We're immediately
thrown into a world that only seems to consists of triads
and their followers and if you're not familiar with how Johnnie
has choosen to tell this story, you're going to feel a little
bored and restless during the first 20 minutes. I did and
was waiting for some indication as to where the movie was
aiming for but I just couldn't figure it out. Johnnie doesn't
give out any clues regarding that, the characters were lifeless,
dialogue felt stiff and all in all everything was standing
still...literally.
It's roundabout the 20 minute mark that a thing or two is
made a lot clearer and I soon realized Johnnie's intentions
with this piece. While the pace was still a bit slow, the
first action scene reveals something quite wonderful. Many
viewers were probably getting ready to be blown away by a
ballistic and elaborate John Woo-esque shoot-out but what
Johnnie and Cheng Ka Sang (action choreographer) gives us
is almost a scene of carefully framed still shots. Shots are
fired sparsly one by one and the camera isn't conveying the
intensity we're used to seeing in Hong Kong action movies.
May sound like a bad thing but I absolutely loved the approach
taken here! It does feel a little bit more realistic (which
isn't a word normally associated with Hong Kong movies) and
it's a good thing Johnnie To didn't do a typical John Woo
scene just because the latter defined gun play violence in
Hong Kong films. Johnnie is far too much of a veteran and
were not going to start emulating a guy like that at that
point in his career. The rest of the movies, actually few,
shoot-outs can be described in the same way and it's not hard
to to be sucked in and almost hypnotized in the way the action
is presented. I thought of Takeshi Kitano for possible inspirations
for Johnnie To but again he's done his own thing here.

While all this was established, I finally understood The
Mission's structure directorally and was immersed into
it more and more. The plot is very minimal, intentionally
so, and in between Johnnie injects a very subtle and layered
development and bonding between the bodyguards. Their character's
are extremely calm and cool (as well as the camera which is
rarely ever moving) and more is suggested through looks rather
than dialogue, kind of like, again, the works of Takeshi Kitano.
Comedy for the most part pretty out there and not very low
key in Hong Kong movies but as in Running Out Of Time,
we're treated to a few very off beat and subtle comedic scenes
that actually work in the context of the story. Especially
the soccer sequence between the bodyguards is unexpected and
could've just failed on so many levels. By maintaining his
way of shooting one angle only and the stillness, the scene
triumphs.
If it's something that doesn't work in this movie, it's the
music by Chung
Chi Wing. During the opening credits the main theme
is played and while it was different, I didn't particularly
care for the almost 80s computer game-music I heard. For me
it just didn't fit well with what I was seeing on the screen
and even though the theme is timed well in a few scenes, it's
just didn't click for me. During the first shoot-out there
was music that could've worked very well WITHOUT the beats.
Again it kind of took me out of the scene back and forth.
Can't say it ruined an entire movie experience for me though.

Talk about a cool cast though! Francis, Anthony, Simon, Roy
and friends! Even though very few of the characters get any
kind of back story or arc, the performances work tremendously
well. For Johnnie To and his casting director the goal was
simple: get a group of cool guys together and you can never
go wrong when one of them is Francis Ng (from Juliet In
Love). Probably my favourite actor after Chow Yun-Fat,
Francis does what he can do well on cue, act cool and convey
the feeling that he is untouchable. That typical Francis Ng
glare should not be forgotten also...
He and Anthony 'Bunman' Wong are the most interesting characters
to follow and despite the age difference both are on the same
level of wisdom and professionalism. When Anthony actually
acts, he's amazing to watch as the calm and honorable bodyguard/barber.
While the other cast is pretty good, I felt that this is Francis
and Anthony's show and the old tired cliché of that
they have magnificent screen presence is applicable here.
They both shine the most when the script calls for nothing
to be said and they just have to be there and convey everything,
yet nothing. Only guys like Francis and Anthony can pull that
off successfully.

The Mission I truly hope will for work for you also
during a first viewing but I think the second one will be
even more rewarding, especially the first part of the film.
This movie takes it's time and rarely misses, just like our
characters when guns are in their hands.
The DVD:
This is the remastered pressing of Mei Ah's
disc. The first one had something that could be described
like a logo burned into the image, which was seen in more
darker scenes. Sadly, there's still something burned into
the print, now a square. This again is more evident in darker
scenes and during the first half of the movie. It is distracting
but I could live with it in the end. The 2.35:1 print is otherwise
pretty clean but feels murky and the colours are pretty lifeless.
Detail and sharpness are barely ok also.
As per usual, Mei Ah gives us Dolby Digital
5.1 & 2.0 Cantonese and Mandarin language tracks. The
2.0 Cantonese track has some nice effects and music spread
out to all speakers but bigger effects sounded rather thin.
Dialogue was always clear though.
The English subtitles are better than usual
coming from Mei Ah and only scene was heavy on grammar errors
and such. Traditional and simplified Chinese subtitles are
also included.
Extras consists of the usual crappy Mei Ah Data Bank (inside
are cast & crew listings and a plot synopsis) plus trailers
for this movie and Victim.
reviewed by Kenneth
Brorsson
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