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The Valiant Ones (1975) Directed by: King Hu

Roy Chiao, Pai Ying, Lau Kong, Hsu Feng & company roam the Chinese land in order to rid of Japanese and Chinese pirates. Yes, it's very straightforward plotting coming from King Hu, particular with A Touch Of Zen in mind. Shot largely outdoors, to be really unfair, The Valiant Ones echoes the feelings of cheap, independent productions when pondering the location work alone. However, King Hu's exquisite and elegant style beats any indie, that's for damn sure! A genuinely intriguing and extensive merging of Hu's Chinese opera style to the fight choreography and young Sammo Hung's powerful skills as an action director also makes The Valiant Ones a true standout, despite a not so involving plot as such. By the time I see a better and sharper print though, I might give King Hu's film a few extra marks as the one screened for me clearly makes the film lose some of its impact. Hang Ying Chieh, Yuen Biao, Mars, Simon Yuen, Yuen Wah and Sammo Hung also appear.

The Vampire Combat (2001) Directed by: Wilson Tong

A good substitute for sleeping pills for the most part but Wilson Tong deserves some minor kudos for turning The Vampire Combat into a throwback to 80s/early 90s Hong Kong horror. He even throws in a smattering of martial arts and CGI effects straight out of Blade but sadly, all these positives reside only during the opening minutes. It would've made a great short. With Andrew Lin, Ngai Sing, Tai Po, and Lo Lieh.

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HK Flix.com

Vampire Vs Vampire (1989) Directed by: Lam Ching Ying

For his directorial debut, Lam Ching Ying again reprised a role he had already shown great love for, as the ever so wise Taoist priest. A role he became synonymous with after Mr. Vampire. Vampire Vs Vampire is not officially part of that series of films but might as well have been because of certain familiar elements and the entertaining quality it possesses. Introducing a Western vampire into the frey this time around makes for 83 minutes of nostalgic and sad viewing as the late Lam Ching Ying never fails to remind you how great his screen presence was. Combining his authority as the Taoist priest but not knowing much else sets the stage for various superb comedic reactions from Lam and creative choreography by Stephen Tung Wai & Lee Chi Git rounds off a very solid genre entry. Chin Siu Ho and Billy Lau basically reprises their roles in addition to Maria Cordero and Sandra Ng joining the the cast.

...and the vampire kid is absolutely adorable!

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HK Flix.com
Yesasia.com

Vampire's Breakfast (1986) Directed by: Wong Chung

Director Wong Chung (former Shaw Brother's actor in movies such as Killer Clans and later turned director) handles Kent Cheng's reporter Piao's battles with a vampire and the police in a fairly refreshingly balanced way (basically choosing to rarely let the elements of comedy, crude social commentary and horror interfere with each other). It's also easier therefore to differentiate it from other similar genre excursions of the era and expectedly, Wong scores more points when dealing with the horror that includes melting corpses, gory decapitations (ok...one), enveiled in a professional frame co-lensed by Arthur Wong. The romance angle between the unlikely pair of Kent Cheng and Emily Chu is rough though as there needs to be more substance for it to work but occasionally the stars share some chemistry and it's certainly not the make or break element of this entertaining film. Co-starring Parkman Wong and Wu Ma.

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Vengeance (1970) Directed by Chang Cheh

Director Chang Cheh paints the screen red with rather fake looking blood in the very violent Vengeance. Hong Kong cinema certainly has explored this theme many times, primarily on basic levels in the martial arts genre. This movie, set in the 1920s, doesn't go for depth like the recent Korean masterpiece Sympathy For Mr. Vengeance but stands out because it isn't close to being highly generic either.

Despite that, Chang & prolific screenwriter Ngai Fong, to me, doesn't entirely convey the necessary weight of the Ti Lung & David Chiang brother relationship. To warrant Chiang to take vengeance in such a brutal way, you have to feel that there was a really special bond between him and his brother. That I didn't feel anyway. Seeing as the film has a strong, quiet and suave leading performance by David Chiang, the flaws aren't as severe as they could've been. Chang Cheh keeps the movie going at a good pace and amidst all the, almost too extensive, bloodshed, moments of eerie slow motion usage becomes perhaps the definite highlight of his work on this film. Vengeance is not another classic collaboration between the stars and director but gradually, their efforts would result in classics like The Blood Brothers though so fans will certainly want to experience it from the early stages.

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HK Flix.com
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Vengeance Is Mine (1988) Directed by: Lee Chi-Ngai

Before the mellow times writing and directing at UFO, Lee Chi-Ngai (Lost And Found) debuted with Vengeance Is Mine. A mostly standard rape and revenge story, Lee as expected asks his cinematographer to bring out the blue filters and his writer to create stereotypical bad guys (that you do genuinely hate however). With several very chilling scenes of Tony Leung directed action and violence plus sympathetic turns by Pat Ha and Derek Yee, Vengeance Is Mine easily ends up on par with Her Vengeance, a solid effort released the same year. Rosamund Kwan also stars.

Despite claiming otherwise, the Megastar vcd reportedly contains no subtitles. Mei Ah's old laserdisc did however.

Buy the VCD at:
Yesasia.com

Victory (1994) Directed by: Andy Chin

The confidence of the Wah Shui women's volleyball team is shattered when they lose to the evil team in black, the Devil Women. Without support by the heads of their university, they threaten to go public with discrimination rumors but they're allowed to keep on playing. Only problem is finding a willing coach and when all options are exhausted, they turn to substitute teacher and insect geek Ma Chi (Derek Yee)...

Andy Chin (Changing Partner) takes the themes of the sport movie nowhere particularly special but deserves kudos for maintaining a focus on delivering the familiar essentials, reaching pleasant levels with Victory in the process. Employing patriotic cues surrounding the need to unify makes for a good thematic ground for this kind of story and amazingly, it doesn't feel cloying or bothersome. While there's no huge care towards characters, the whole package is put together with care, with Chin logging good impact during the volleyball scenes and cinematographer Poon Hang Sang (Kung Fu Hustle) provides fine camera work. Likeable performers gets you a long way also, with Carman Lee and a suitably dorky Derek Yee providing fitting turns. The attempts at satire aimed at the decision makers of the school may very well be poor attempts but with otherwise great director Derek Yee involved, one can also argue that the behind the scenes team actually are adept at this sort of thing. You be the judge. Also with Josie Ho (in her film debut).


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