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Tough Ninja The Shadow Warrior (1986) Directed by: Larry Hutton

A product of Tomas Tang's Filmark International, true to form their 1986 production is an assembly of their own shot ninja footage and an older, unconnected flick . In this case, the 1982 crime actioner Unreal Dream directed by Patrick Kong, starring Chan Lee-Lee, Michael Chan, Phillip Ko and Dai Sai-An. Senselessly Cobbled together with a ninja plot and dubbed into English for its international exposure and credited to director Larry Hutton (a pseudonym for... someone), Ko and Dai Sai-An both appear in the newly shot footage but no real attempt have been made to make the blend seamless (or good). Ko sports a ten times larger moustache than he had in 82 and Dai all of a sudden has the makings of one when he fights with a group of ninjas on the street (actually the best scene of the film). Plot is of no concern because it's messed up even more in Filmark's hands, with hints at the immigrants and robbery plot from the original being connected thoroughly to the crime syndicate of ninjas. Doesn't make sense, nor excites and the movie is therefore left to its own crazy devices. That's why it's in a way shameful to say that we need MORE of Tomas Tang's influence on the movie because coupled with the general poor filmmaking and hilarious English dubbing, all new scenes are classic camp stuff, popping up way too infrequently. The wonderfully funny and inept sights treats us to a fat bellied ninja leader that turns very slim come fight time (i.e. his stunt double enter) and two scenes with a Bruce Lee copy are inserted for no other reason than to have a Bruce Lee copy appear. Oh they knew their market alright. But to be balanced in my views, Unreal Dream deserves a chance to be judged on its own merits because it clearly flirts with insanity as well, especially so since a main character has rabies!

The Tournament (1974) Directed by: Wong Fung

The team behind Hap Ki Do and When Taekwondo Strikes brings us this modern day effort that, compared to the former mentioned movie, disappoints. Director Wong Fung's straightforward direction slows down many parts of the film and fans will certainly be disappointed by the lack of action in the first half. When it does hit, Sammo Hung and Chan Chuen's choreography is fast and powerful but there lacks a dedication to it overall. It's sad when the best fight in the film, between Whang In Sik and Mao, occurs way too early. There was a great oppurtunity to end the movie with another bout between the two but the filmmakers opted to introduce a Western fighter instead. An example of the fact there isn't a whole lot of focus to certain areas of the film. Anglea Mao doesn't disappoint however and she displays that famous ferocity with a true fighting ability that few could rival. Quite a number of familiar faces stop by for a quick visit including Sammo himself, Wilson Tong and Yuen Biao. The Tournament is a good watch if you're a fan of the performers but know that previous efforts possesses much more quality. Time to rewatch Hap Ki Do.

The Trail (1983) Directed by: Ronny Yu

Quite an unexpected Hong Kong horror movie considering it was co-written by comedic actor Michael Hui and that is stars his brother Ricky Hui and Kent Cheng. Director Ronny Yu goes for a laid back and serious tone to his horror with comedy inserted in places, an element that works well since it's closer to the proper mood of the film. The Trail does not add up to more than an interesting time though, mainly through the serious mood and a look of more ambitious proportions than seen in this era of Hong Kong cinema. The pace is slow, the plot not very spelled out in detail but it's worth the ticket for those seeking a different look and feel to their Hong Kong horror. Also with Choong Fat and Mars (both serving as action directors as well). One of the main music cues you may recognise from The Thing but as with John Carpenter's classic, The Trail also benefits since it adds decent tension.

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The Trail Of The Broken Blade (1967) Directed by: Chang Cheh

The Trail Of The Broken Blade is vintage Chang Cheh filmmaking in many ways, dealing with loyalty, love and righteousness but putting enough spins on it to stand well on its own. First of all, the true loyalty isn't for once towards blood brothers but towards blood...

Jimmy Wang Yu plays swordsman Li who takes revenge on a corrupted official who executed his father unjustly. Now wanted by the Imperial Court, he goes into hiding under a false identity, having no choice but to abandon his past. In that past we find his childhood love Liu Xian (Chin Ping) who's rescued by another swordsman Fang Jun-Zhao (Chiao Chuang) from the dangerous Flying Fish gang of robbers. Liu Xian's father sees the opportunity to pair up her with a new man but she proclaims to the kind hearted Fang that only one true love exists for her. Fang takes it upon himself to reunite the two...

After the accomplished The Magnificent Trio the year before, Chang was on a roll but for the longest of time in The Trail Of The Broken Blade, he can't make his portrayal of Li and his lonely future come to life. Nothing much resonates dramatically as the prior year's effort did but sticking with The Trail Of The Broken Blade proves to be rewarding. Chang's handling of the character drama can seem rather overwrought (literally an operatic aspect to the portrayal of the romance can be seen and heard) but in reality it does come off as suitably subdued as well. Point is, this didn't further Chang Cheh but with a charismatic lead in Jimmy Wang Yu to truly embody his intentions, the film becomes unexpectedly involving despite the lesser first half.

A small problem also lies in the casting of Chiao Chuang as he doesn't always look convincing as both the tough and kind swordplay hero. Lau Kar Leung and Tong Gaai choreograph the action once again and it's always rough to look at now but not hard to put into perspective either. Most of the fights are fairly short all up till the final reel and it's rather bursts of creativity that highlights their work. But that fact is important as the development would lead into us being treated to some of the finest on screen martial arts ever filmed eventually. Worth waiting for but as you'll hopefully see for yourself, drama wasn't in development but rather polished back then. That makes this side of Chang Cheh's catalogue of films truly thrilling to follow. Ciao Ciao, Fan Mei Sheng, Chen Hung-Lieh, Tien Feng, Wu Ma and Paul Wei co-stars.

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The Traitorous (1976) Directed by: Sung Ting-Mei

Here's a beast we've seen before, with Carter Wong as a Shaolin student out to revenge the death of his parents at the hands off government forces. He's gotta carry water and jump out of mud pits properly before being let out on his killing spree though. Director Sung Ting-Mei uses agony, both ways, as fuel for his simple-minded story and while it's A gory choice, it's not THE gory choice. The Traitorous therefore plods along like most low-budget vehicles of its kind, disappointing also in the fight department as little invention exists (only the pyramid of guards is a fun, crazy concept). Swingy arms, punching and blocking as a dominating factor isn't a beneficiary for the production, especially not since Carter Wong is less than ideal in the lead. Polly Kuan displays some much needed fury though, in particular in her opening fight scene against multiple opponents. Chang Yi plays our white haired villain while Sammo Hung also appear as one of his henchmen.

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Treasure Hunt (1994) Directed by: Jeff Lau

Treasure Hunt marked Chow Yun-Fat's return to Hong Kong movie screens after a 2 year break (was probably needed after the intense shooting of Hard Boiled), this time directed by prolific Jeff Lau (Chinese Odyssey 1 & 2, Haunted Cop Shop). Being true to the Hong Kong cinema way of doing things, Treasure Hunt gives us gunplay, martial arts, comedy, romance, resulting in something very typical of Jeff Lau; an uneven but still strangely charming and enjoyable little film. The plot about Chow's CIA character and his mission to bring back a Chinese Treasure, a young woman with supernatural powers, played by the beautiful Wu Chien-Lien (The Phantom Lover) doesn't interest much but instead the core of the film, Chow and Wu Chien-Lien's romance carry us nicely through this 100 minutes. The two display supersolid chemistry and I just wish there was at least 20 minutes more of them together on screen. Co-starring Gordon Lau and Phillip Kwok.

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The Treasure Trap (1986) Directed by: Phillip Chan

Also known as From Here To Prosperity, the stage is very busy in Phillip Chan's conmen romp mostly set in Thailand. So much so, especially considering the print I got to see, that it's often tough to follow the quick laid out plans by conmen David Chiang and Richard Ng in their pursuit to avenge the death of Jenny's (Pong Chao-An) father. But the familiar cast and at times amusing antics of the leads does get you through proceedings. Ng has a wonderful bit where he bets that a lit cigarette will not become shorter. His winning tactic is simply lighting it at the middle. Ng and Chiang comparing battle scars but the former not showing signs of any because they've healed well goes down well and the re-imagining of the Indiana Jones-score is shamelessly fun to hear. During the gunplay ending, Ng injects more fun as he makes a bomb using a grilled chicken! Fans of Desperado will notice that Quentin Tarantino's piss joke from that film is entirely visualized in The Treasure Trap. Also with O Chun-Hung, Wu Ma, Melvin Wong, Tin Ching and Wu Fung.

Triad Story (1990) Directed by: Shum Wai

A generic title like Triad Story should be very telling for anyone with a vague knowledge of the triad genre that was a mainstay during this period in Hong Kong cinema. Director Shum Wai injects some decent thoughts in the portrayal of the old time triads that tries to accept that time has run out for them but it lasts very shortly. Soon the gang conflicts escalate in the usual ways, sentimentality is high and another fault of the film is that it's way too talky when it should be trying to salvage itself with audience pleasing features. After several failed attempts at poetic and lyric imagery as lives are lost, Shum Wai instead wisely unleashes action director Siu Tak Foo. Decent brutality and fight action comes during the finale although there lacks a certain internal logic when we see who takes center stage. Billy Chow (in a rare good guy role) obviously is a fighter so that sets up his place in the finale but at this point, main characters are not even in the same room! Still, it's the best times of Triad Story. The rest is instantly forgettable.

Although poster arts feature Stephen Chow, it's merely a supporting, dramatic role he's given and frankly, he looks uncomfortable dealing with this kind of material (and to add on to that, Chow did not dub his own voice). His subsequent comedy co-star Ng Man Tat receives more screen time while O Chun Hung, Wu Ma, Shing Fui On, Shum Wai and Kwai Chung also appear.

Available is a Mainland vcd release under the title The Last Brother, featuring English subtitles and the Cantonese dub.

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Tricky Brains (1991) Directed by: Wong Jing

Stephen Chow as the Tricks Master Jing Koo is a character ridiculously well suited for him as the sky's the limit when it comes to conjuring up gags. With Wong Jing directing and playing alongside Ng Man Tat and Andy Lau, he does so in his dry, low-key and highly excessive ways. Watch Chow sneakily destroy and fool people, done the legendary I Am Naked suit and feature the always great gag of large amounts of people beating up one. It's often hilarious and Andy Lau doesn't seem to mind being subjected to all kinds of silliness either. An early 90s joy that is disrupted a few times too many however when Wong Jing attempts to inject his humour into the film. Not only does it rank as distasteful and low but when he lifts a gag from Police Academy 2, you'll know who is the actual king of comedy in the production. Co-starring Rosamund Kwan, Chingmy Yau, Waise Lee, John Ching, Liu Fan, Shing Fui On, Charlie Cho and Wong Jing.

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