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# A B C D E F G H I J K L M N O P Q R S T U V W X Y Z |
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| The Skyhawk (1974) Directed by: Chan Cheng Ho |

Kwan Tak-Hing's return to the Wong Fei Hung role, 4 years after the last of long running series had ended with Wong Fei Hung: Bravely Crushing the Fire Formation. Kwan would go on to reprise the role yet again in movies such as The Magnificent Butcher and Dreadnaught.
As an anticipated comeback vehicle, The Skyhawk is far from remarkable, containing standard plotting and simple but well-meaning philosophies. It rises to solid thanks to Sammo Hung's action (Hung also co-stars) that partly recalls the style of the era but contains enough of Hung's powerful traits as a choreographer. Whang In-Sik obviously gets a good kicking showcase, Kwan Tak-Hing performs an admirable amount of his own fighting but it's Carter Wong that Hung has blessed with several moments of smoothly executed action. Also with Nora Miao, Lee Kwan and amongst the stunt players Lam Ching Ying and Wilson Tong can be spotted.
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| Slaughter In Xian (1987) Directed by: Chang Cheh |

Chang Cheh completists need only apply for this modern day blend of traditional martial arts and gunplay. The opening demo showcases what clearly is a budget constraint on the film although the martial arts is of a good caliber. Gunplay isn't however, nor is this standard story about police corruption. Some decent trademark Chang Cheh gore and mayhem does sporadically rear its head but when all parts are added up, Slaughter In Xian is only marginally better than the crap Joseph Lai and IFD churned out...sadly. Dung Chi-Wai was Chang Cheh's leading man of choice during this period and he's recently been employed by Stephen Chow, playing the character of Donut in Kung Fu Hustle.
Oh, and if you had your doubts about the homo-eroticism in Chang Cheh's movies, I think Slaughter In Xian will firmly seal your opinion. Not subtle. I'll leave it at that.
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| The Sleepless Town (1998) Directed by: Lee Chi-Ngai |

Kenichi (Takeshi Kaneshiro) finds himself in the middle of a gang war between the Chinese, 3 days prior to the New Year. He's on a reluctant mission for Shanghai crime boss Yuan (Eric Tsang) to find an old partner Yuan needs to exact revenge on. In comes the mysterious Natsumi (Mirai Yamamoto) who's offering Kenichi his target...a little too easily perhaps.
Lee Chi-Ngai (Lost And Found) once again utilizes Takeshi Kaneshiro to excellent effect in this Hong Kong/Japanese co-production. Largely set in Japan, it's the award winning technical merits to shines the most in this rather ordinary and overly complicated noir piece. Cinematographer Arthur Wong gives the perfect polished surface for the gritty gangster world while Lee makes Takeshi Kaneshiro and Mirai Yamamoto an effective couple. All up till the end, we're never sure of their loyalty towards each other and with that achieved chemistry, Lee Chi-Ngai gets some grade A remarks sporadically throughout. Although the standard he set for himself with Lost And Found is obviously lacking though. However, The Sleepless Town contains genre standards in a slick package which is a ride worth taking. Also with Kathy Chow (Beast Cops) and Ang Lee regular Lang Xiong.
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| Slickers Vs Killers (1991) Directed by: Sammo Hung |

Dark and off-beat comedy from Sammo Hung that juggles all kinds of elements that only Hong Kong cinema can for 90 minutes. Dealing with relationships, there's first Hung himself as a phone salesman trying to outdo his fiercest rival Ling (Carol Cheng). Being witness to a brutal murder by the whack job Bat (Jacky Cheung) and his calmer sidekick Owl (Lam Ching Ying), he manages to flee to report the case to the police. Difficulties arise because one, his wife (Yu Li) is a cop and the object of desire of another cop (Ngai Sing) and Hung's testimony doesn't get taken seriously. Then there's the shrink (Joyce Godenzi) who has Hung as her patient and gets involved as the killers go after him...
Slickers Vs Killers is involving but a little bit lacking in focus, mainly in regards to Carol Cheng's Ling who doesn't seem to have a proper spot in the narrative in the latter half. A few characters too many really occupies the film although Hung and backup leading lady Cheng's feisty interactions are probably the funniest throughout. Joyce Godenzi also gets ample time to shine as she tries to manipulate the underlying tension in the Hung/Yu Li relationship and Sammo hard hitting action, with a few stunts thrown in, has a decent showcase in what in the end, despite darkness, really is light, entertainment "only". Richard Ng and Tommy Wong also appear.
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| The Smart Cavalier (1978) Directed by: Joseph Kuo |

When the action directing isn't particularly distinctive, Taiwanese martial arts filmmaker Joseph Kuo easily gets into trouble and The Smart Cavalier (The Cavalier in Mei Ah's newly generated credits) is further proof why. While the likes of leading man Sze Ma Lung comes off well during the fights and various acrobatics are noteworthy, Kuo's film rather represents a haunting memory of poorly paced and grating comedy bits that perhaps may have worked in the local market but are a cruel tester for anyone else. Lo Lieh's end fight cameo adds some colour to the film but by then it's way too late.
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| Smugglers (1973) Directed by: Suen Ga-Man |

KENNETH'S REVIEW: Also known as Kung-Fu Gangbusters, all the bone crunching bashing in the world can't help this boring trek amongst cops, drug smugglers and raging brothers out for revenge. Tony Liu (director of Holy Flame Of The Martial World) is in the latter part and certainly possesses a physique fit for anger but Ed Wood-inconsistencies by director Suen makes everyone take the descending trip. Even when cop Jason Pai takes center stage and bones are literally broken left and right, you have scenes with a three section staff appearing and it all turns totally baffling. Yep, Smugglers has one consistent factor: It's terrible.
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| Snake Deadly Act (1980) Directed by: Wilson Tong |

When Eastern Heroes in the UK released Wilson Tong's Snake Deadly Act on video back in 1995, it had reportedly been hard to obtain ever since its run in 1980. It's notable for that as well as being the only starring vehicle for Ng Kun Lung and for also featuring one of the most abrupt endings in martial arts cinema history.
But that's not really notable positives as such and Snake Deadly Act doesn't come off as anything special, even though it certainly doesn't try either. The obvious template is the successful one set by Snake In The Eagle's Shadow and in particular Drunken Master with Ng Kun Lung being launched as a Jackie Chan style hero here. Ng does have abilities, no doubt, but doesn't possess any of the winning charisma that Jackie had brought. Even with solid players outside of Ng's casting such as Wilson Tong, Fung Hak-On, Chan Wai Man, Phillip Ko and Angela Mao, the end result is just an assembly line product. Tong's action is lively and intricate but lacks a certain polish that the best of the action directors had. Despite, Snake Deadly Act is a harmless waste of time and don't expect a gem just because it once was rare. Also with Bolo, Tai Po and Cheng Hong-Yip.
In an odd move, Eastern Heroes dvd presentation uses the same subtitled print found on the VHS release but drops the original Cantonese track in favour of an English dub only. The tape is still readily available though.
Buy the DVD at:
HK Flix.com
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| Snake In The Eagle's Shadow (1978) Directed by: Yuen Woo-Ping |

A classic not so much based on its depth and weight as part of the martial arts genre but more having to do with the impact it had when released in 1978. Star Jackie Chan was on loan from Lo Wei's production company to Seasonal Film Corporation and it proved to be a masterful decision on producer Ng See-Yuen's behalf. Snake In The Eagle's Shadow became a box-office hit and established Jackie as a bonafide star after years of making unsuccessful movies under the direction of Lo Wei. His agility, lightness of body and innocent charm is one of the many reasons why Snake In The Eagle's Shadow still holds up.
Snake In The Eagle's Shadow certainly wasn't the first kung-fu comedy but it firmly ignited the combination at the box-office. It doesn't set the house on fire today, at least not with Westerners, as much of the comedy is broad but when placing the comedy within action choreography, it holds up better and is fun. The traditional martial arts on display is entertaining and intricate as well, with the best elements found in the latter reels. All this of course orchestrated by Yuen Woo-Ping behind the scenes in his directing debut and as an actual storyteller, he gets surprising warmth out of the relationship between Jackie and Simon Yuen's (Yuen Woo-Ping real life father) characters. Simon would from this point on by synonymous with the beggar character, drunken or not, and leaves a charismatic impression in this first outing when doning his classic wear. Korean superkicker and legendary movie villain, Hwang Jang Lee, having debuted in Secret Rivals at Seasonal, brings much power as the Eagle's Claw master. So much so that he knocked out a tooth of Jackie Chan's while filming their first fight, a shot that's in the film. If that incident is due to the finale being disappointingly short, I can't say, but that fact is one of the true disappointments of the film. Dean Shek, Peter Chan Lung, Fung Hark On, Hsu Hsia and Roy Horan also appear.
The remastered Mei Ah dvd of course features the uncut version of cat vs. cobra fight, a scene that still won't pass censors in the United Kingdom due to their stance on animal cruelty and it's hard not to squirm even though it's a storyelement. It definitely does disrupt what is a rather light, generic but very important genre effort.
Buy the DVD at:
HK Flix.com
Yesasia.com |
| So Close (2003) Directed by: Corey Yuen |

When talking about pure entertainment, popcorn flicks, there seems to be a movement among fans that those films automatically become good if you just turn off your brain and enjoy. I agree with that but it takes, a risky word to use, skill to pull that off. This year's The Twins Effect was a perfect example of how to not do braindead entertainment. Corey Yuen's So Close is a good example of well executed braindead entertainment. The recipe for success in this case; the ladies!
No, it's not the saviour of a declining Hong Kong action cinema. No, it's not very good as a film but forget all about that and let Shu Qi, Zhao Wei and the under-appreciated Karen Mok be your companionship for 2 hours of Hong Kong action cinema the way it's done in 2003. Corey Yuen takes quite a huge leap forward in action directing compared to his Hollywood work and what's on display in So Close I would say is what you get out of main performers that aren't classically trained. You hide it with a frenetic camera language and quick-cuts but as the movie progresses, the action becomes quite a delight. The ladies perform as much as they can which I admired in the neat fight between Shu and Karen. Plus the movie is so stylistically over the top, practically a fashion showcase, that you can't help to be sucked into the outrageous action feats the women perform.
With a script that is overly melodramatic at times, the biggest surprise comes in the emotional punch the Shu Qi/Zhao Wei sister relationship packs. It's so much thanks to enough dedication from the bonafide moviestar Shu Qi and rising talent Zhao Wei that it's not a tedious wait between the action. Considering it's this genre, I was thoroughly surprised at what director Corey Yuen managed to do with this Columbia Asia financed project. Thumbs up believe it or not but again, Hong Kong action cinema hasn't been saved. So Close however is a standout, despite it being quite laughable, much like China Strike Force was.
Both Chinese language tracks have dubbing but I prefer the Mandarin track since it features Shu Qi and Vicky Zhao's sync sound performances as opposed to the Cantonese track where they're dubbed by someone else.
Buy the DVD at:
HK Flix.com
Yesasia.com |
| Somebody Up There Likes Me (1996) Directed by: Patrick Leung |

Patrick Leung's (Task Force) boxing drama, starring Aaron Kwok, Carman Lee and Sammo Hung, obviously is going to run into cliché territory but in the end fails to make much of an impact because its intentions can't rise above those clichés. Also, Leung's handling of the melodrama is far from subtle, making the effect less heartfelt than it should be. Sammo Hung's veteran presence helps but it's not a role with much to work with but the boxing scenes do come off well from a technical standpoint. I suggest you re-watch Rocky again though. Michael Tong, Vincent Kok and Law Koon-Lan also appear.
Buy the DVD at:
HK Flix.com
Yesasia.com |
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